The exhibition industry is developing faster and faster, and there are more and more foreign exhibition design structures. Therefore, it has to face fierce industry competition. Does foreign exhibition design structures want to survive in the industry?

Want to stand out among the numerous foreign exhibition design structures? Then, what about adapting to the new requirements of the exhibition industry?

1. Keep creating

Creation is the soul of artistic work. A successful foreign exhibition design structure must be creative in exhibition design. Not only should the functions of the exhibition hall be emphasized, but also creativity and imagination should be integrated into the design

It should be planned and reflected in the design. Xiao Chuang believes that excellent creative design should be able to give the audience a strong visual impact, thereby deepening their impression of the product.

2. Design concept centered on the product

The exhibition hall design of foreign exhibition design structures should be combined with product display. In the design, the products should be at the core, and attention should be paid to better conveying the information of the products through design to reflect The Times

Sex. In addition, when highlighting the taste and style of the exhibition hall design, the characteristics of the products should not be ignored. Instead, the product culture should be naturally displayed in the design to reflect its cultural nature.

3. Maintain the overall harmony and unity of the design

When designing display cases, foreign exhibition design structures should meet the unity and harmony of the exhibition hall. Xiao Chuang believes that the most taboo point is that the designer fails to communicate effectively with the client

Flow, and of course, design based on one's own ideals. Xiaochuang has always adhered to the principle that good exhibition hall design, whether in terms of artistic nature or order, maintains clear and orderly rules, and must ensure overall harmony

Harmony and unity.

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